Interdisciplinary Studies in Literature and Environment Advance Access originally published online on July 16, 2009
Interdisciplinary Studies in Literature and Environment 2009 16(3):487-515; doi:10.1093/isle/isp059
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© The Author(s) 2009. Published by Oxford University Press on behalf of the Association for the Study of Literature and Environment. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org
Environmental (and Audience) Friendliness in Rachel Carson and Devra Davis: Where Ecocriticism and Rhetoric Meet
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All of the most serious and thoughtful ecologists (such as Aldo Leopold, Ian McHarg, Barry Commoner, and Garret Hardin) have tried to develop ecological visions which can be translated into social, economic, political, and individual programs of action.—William Rueckert
Imagine that when you pull the trigger on a handgun, it takes decades before either the victim or the assailant recognizes that someone's been hit. Then it's even more difficult to grasp the dangers of having weapons around. The analogy is imperfect, but something like this applies to the global environmental consequences of modern industrial technology.Why are ecological authors like Carl Sagan, and the "serious and thoughtful" ones Rueckert mentions above, so careful in developing their ecological visions into usable forms? One important reason is that ecocriticism is a vast field of study that attracts a wide array of specialists, from artists to scientists, and everyone in—Carl Sagan
| "Oh, she's not a scientist anymore": The Universal Audience vs. Intended Audience Appeal |
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| "Good Guys, Bad Guys, and Citizens": Mixed Genres |
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| "He Will End by Destroying the Earth": The Locus of the Irreparable |
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| "I am wiser than everyone, because I know that I know nothing": Irony |
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| "Questions of value": Conclusions and Implications |
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